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1 Taranaki Street, Wellington | Box Office Ph: 04 801 7992
Duration: 18 January - 15 February 2014

Written by: Dave Armstrong
Directed by: Danny Mulheron


By Demand Return Season!

It’s PC vs. PE … a great start to theatre-going in 2014!

From the team who brought you the smash hit The Motor Camp, playwright Dave Armstrong and director Danny Mulheron once again combine talents to present another delightfully romantic and wickedly entertaining season of their 2013 hit,Kings of the Gym!

Politically correct principal Viv Cleaver is transforming low-decile Hautapu High School. The only thorn in her side is the Phys-Ed department. Unfit Laurie Connor spends his days in the gym watching TV and gambling with his talented yet unambitious sidekick Pat Kennedy. But then student-teacher Annie Tupua arrives. Could this star netballer and born-again Christian prove to be the game-changer that Viv needs? As sparks fly and different players joust for position, the only winner on the day will be the audience.

Starring the original cast: Ginette McDonald, Paul McLaughlin, Richard Dey and Acushla-Tara Sutton.

A comedy in two halves, Kings of the Gym looks at the really important things in life: competition, compassion, Creation … and PE teaching.


  • Starring the original cast:

    Ginette McDonald

    Paul McLaughlin

    Richard Dey

    Acushla-Tara Sutton.

  • 18 January − 15 February

    Tuesday and Wednesday 6:30pm

    Thursday to Saturday 8pm

    Sunday 4pm

  • Adults $46

    Concessions $38

    Friends of Circa $33

    Groups 6+ $39, 20+ $36

    Under 25s $25

  • Light Comedy Raises Pertinent Social Questions


    Laurie Connor (Paul McLaughlin) is King of the Gym. As HoD of physical education at Hautapu High School, he spends his days in the gym staff room, making bets through the TAB phoneline. His side-kick and former student, now PE teacher Pat Kennedy (Richard Dey), jokes with him over the occasional beer or goon of wine during the school day.

    Principal Viv Cleaver (Ginette McDonald) has had almost enough of all this. The board wants to get rid of Laurie, and she doesn’t want to see Pat wasting his potential and becoming the same as Laurie. Disrupting the boys’ club in the gym, a new student teacher, Annie Tupua (Acushla-Tara Sutton), arrives. She, a rising netball star, diligent student and, though she hates to be a called, it a “Maori role-model” might be “just what Hautapu High School needs”. Then, when her strong Christian views interfere with her teaching Evolution in her second subject, Biology, we start to question whether this is the case.

    It is certainly character rather than plot that drives this play. Each of the four actors gives a strong performance that has us both sympathising with and criticising their characters, while never missing an opportunity for comedy. In particular, McLaughlin, McDonald and Dey demonstrate excellent comic timing – with McDonald able to make the most straight-laced character into the comic role that Armstrong intends.

    By the time the interval comes around not a lot has happened: I’m not yet particularly invested in the characters, but I’ve had just enough light laughs to want to come back for the second half. The script could be slightly restructured with less exposition and the main dilemma of the second act introduced before the interval – to draw us back to discover the outcome.

    Much of the comedy comes from Laurie’s crude humour, which leads to an interesting discussion with another audience member in the interval, about whether you can put a racist/ sexist/ ableist character in a play without the play itself being racist/ sexist/ ableist. You can, I think if you point out the characters’ flaws, which Kings of the Gymdoes, but still many of the younger audience members, with whom I spoke, were uncomfortable that these comments were largely what the comedy was based on.

    While the production is played for laughs overall, it does raise some pertinent social questions. Annie certainly cares about the students and wants to help them find meaning and love – though we question her promoting God in a secular school. Meanwhile, Viv represents the establishment and the importance of playing by the rules. She tries to rein in Laurie’s behaviour, but her emphasis on results and ticking the boxes gets in the way of what really matters: the students’ happiness and development.

    In direct contrast to Viv, Laurie certainly doesn’t play by the rules, but we can see the value in his laid-back, and perhaps more real, approach. We learn that it was Laurie who helped Pat as a teenager through his grief at loosing his father by putting him in front of a punching bag. It seems that this extends to the current students too; in the words of the ever-loyal Pat: “Laurie might have his faults but the kids love him.”

    It is curious that Laurie, the most flawed character, ends up in some ways the hero, with both Pat and, surprisingly, Annie, who initially was very skeptical of him, standing up for him. While this at first seems a questionable message to end on, it does cause us to continue questioning the characters’ attitudes long after the play ends.

    Kings of the Gym is a light comedy that will get you laughing and questioning numerous different points of view that exist in New Zealand, with regard not only to education but also to each other and the world. It reminds us that we can’t simply dismiss other human beings as “insensitive” or “unrealistic” – there can be value in anyone’s approach.



    Laurie Atkinson, The Dominion Post, 20 January 2014


NZSL Interpreted Performance

There will be an NZSL interpreted performance ofKings of the Gym on Friday, 14 February. Deaf patrons who would like to book tickets for the NZSL interpreted performance, please emailcirca@circa.co.nz and advise that you would like seats in the designated area in view of the interpreters and the number of seats you would like. You can pay for your ticket on the night, but you must arrive by 7:30pm to pay and pick up your tickets.


Running time: approx 2 hours (including interval)

Recommended for audiences aged 16+